A clarification of ambiguities in the notion of free decision. Concentrating on ordinary English usage, Ofstad distinguishes six senses of free decision. One of these, freedom as power, is exhaustively treated. A skillful attempt is made to relate the analyses of free decision, which form the bulk of the book, to the concepts of duty, responsibility, and the author's own ethical position. One helpful appendix lists and indexes all propositions concerning freedom of decision as it is analysed throughout the book. (...) --E. S. C. (shrink)

This is a brief study which emphasizes Jasper's relations with other philosophers, especially Kant. It approaches Jasper's own philosophy from a perilously theistic angle, seeing many parallels in Bradley and Whitehead. Jasper's continuity with, rather than his break from, the Western rationalist tradition in philosophy is abundantly documented.—E. S. C.

This is an exceptionally clear study of the time-theories of Bergson, St. Augustine, Heidegger, Buber, Schelling and Franz v. Baader, as well as an attempt to show the relationship between time, freedom and consciousness. Following Schelling and v. Baader, Kümmel views past, present and future as "powers" which only freeze into explicitly temporal dimensions upon reflection. Kümmel agrees with Heidegger that our attitude toward time is a revelation of our being-in-the-world, but he puts more emphasis on our relation to the (...) past than Heidegger ever did.—E. S. C. (shrink)

This collection of papers exhibits the various directions in which the problem of conformity and deviation is being approached by social psychology. Of interest to philosophers is the evidence offered of the still unresolved conflict between behavioristic and Gestalt explanations of human behavior-a conflict analogous to the current philosophical struggle between linguistic analysis and metaphysics. --E. S. C.

A somewhat hurried and one-sided account of ethical philosophy as practiced by Moore, Ross, Ewing, Ayer, Stevenson, Toulmin, Urmson, and Hare.--E. S. C.

A trenchantly-argued account of factors such as motives, desires, and volitions, as they enter into human action. Wittgensteinian in orientation and tone, the essay shows that such factors cannot be construed as private inner episodes or Humean causes, but only as logically connected with action in the interpersonal sphere. Thus the ordinary belief in free action which is also rational and moral is vindicated, though the question of precisely what kind of freedom is here involved is not explored.--E. S. C.

This early study is a key work, along with several other preliminary essays, for understanding the genesis of Sartre's Being and Nothingness. Well translated and with an excellent introduction and notes, the book contains the critical thesis that former theories of the imagination confused perception with imagination, and that imagination was properly recognized first by Husserl and was subsequently further clarified by Sartre in his notion of the nihilating consciousness. --E. S. C.

In this brilliant and baffling essay, Merleau-Ponty reaps a harvest of insights upon the basis of his previous penetrating studies of perception and language. Again we find massively argued denials of neat Cartesian distinctions, such as those supposed to hold between space, depth and color. Inspired by the author's intimate acquaintance with the modern art movement, and quoting frequently from its masters, the essay gives back to painting its own voice and autonomy. Much like the body itself, painting is held (...) to be our most direct and revealing access to the lived world—that is, to Being itself.—E. S. C. (shrink)

An overview of trends in present Continental philosophy and science. Husserl's writings are shown to prefigure the notion of a stratified structure as a model for scientific inquiry. Recent work in economics, sociology, and civil law is seen to presuppose something like Jasper's theory of the creative existential encounter. Heidegger's speculations on the nature of temporality and being-in-the-world are paralleled by several current versions of psychoanalysis. Though the influence of philosophy upon contemporary scientific movements is not claimed to be direct (...) in each instance, a convincing case is made out that those two fields are equally indicative of and contributive to a new humanistic Weltanschauung.--E. S. C. (shrink)

A blend of acute historical analysis with ethical theory. The themes of "approbativeness", self-esteem, and emulation are distinguished and shown to be a wellspring of seventeenth and eighteenth century political and ethical thought. Drawing most heavily on Hume and Adam Smith, Lovejoy develops these key ideas into a penetrating description of ethical phenomena.--E. S. C.

An examination of Sartre's literary style through an analysis of events, things, thoughts, and persons as these are realized in the major novels and plays. Jameson shows that Sartre's literary activity is not a mere front for his philosophy but constitutes a serious effort at evolving techniques capable of rendering an aesthetic whole out of the elements of the radically dualistic Sartrian universe. Jameson's own style, unfortunately, is somewhat opaque. --E. S. C.

The second and concluding volume of Adler's monumental eight-year project on freedom offers a comprehensive cataloguing of the controversies which surround the five main types of freedom identified in the first volume. One conclusion of the present work is that philosophers too rarely join issue on the most crucial problems at stake in the continuing debate on freedom. Though the main purpose of elucidation is admirably achieved, the book sometimes suffers from an overly conscious structuring. The scope, detail, and cross-indexing (...) of this volume make it an invaluable reference book for any philosopher concerned with the discussion of freedom.--E. S. C. (shrink)

An attempt to justify the view of God's love as ecstatic and metaphysically primary. There is great reliance on Aquinas and the Spanish philosophers Ortega y Gasset and Xavier Zubiri.--E. S. C.

A readable attempt to reconcile methods, materials, and results in the arts and sciences. The author stresses similarities, but does not overlook crucial differences, in key notions such as patterns of discovery and methods of formulation.--E. S. C.

A richly perceptive and highly readable essay, which develops the thesis that the most successful approach to the history of art is the notion of a sequence of forms, beginning with a "prime work" and being extended through replications. This concise yet far-ranging book illustrates the effectiveness of the sequential form of analysis by its reference to a wide array of examples drawn mostly from the history of painting and architecture. Along the way, many insights are suggested concerning the nature (...) of history, time, change, and duration.--E. S. C. (shrink)

These commemorative papers on different aspects of Dewey's philosophy vary in quality. The essay by Paul Henle on "Dewey's Views on Truth and Verification" is excellent; and Gardner Murphy's reflections on Dewey's psychology are noteworthy. --E. S. C.

These brief selections could use explanatory footnotes for frequently obscure passages. --E. S. C.